Why are MP3 players making a comeback?
For a generation questioning subscription models and rejecting online burnout, digital audio players have become a tool for cultural ownership and focused listening
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For a generation questioning subscription models and rejecting online burnout, digital audio players have become a tool for cultural ownership and focused listening
Label founder Father looks back at five of the most iconic releases from the label
We explore the life, art and legacy of boundary-pushing doll-making artist Greer Lankton through an intimate visit to her Palm Springs Estate
Held in the basement of New York’s Swiss Institute, Mona Filleul’s Sissy Institute exhibition is a sensitive ode to the artist’s community the aesthetic codes of smartphones
In Peter Hujar’s Day, Sachs spotlights a long-lost project featuring the era-defining photographer who captured New York’s queer and artistic underground in the 1970s
Emerging artists have the unique opportunity to spend three tuition-waived years honing their craft in state-of-the-art facilities.
The institution’s 21 museums will slowly begin welcoming visitors along with the National Gallery of Art.
A photo book documenting the late artist’s colorful, cluttered studio shows an amalgamation of decades’ worth of inspiration.
Máret Ánne Sara contends that the destruction of Samí lands foreshadows similar threats to more temperate regions and calls for alternative frameworks of knowledge.
The outgoing mayor’s move to grant the Elizabeth Street Garden new parkland designation could throw a wrench in plans to use the plot for affordable housing.
An exhibition in Los Angeles pairing decommissioned public Confederate statues with contemporary art captures America’s shifting political terrain.
We read the press releases so you don’t have to.
Generously funded, renowned faculty and visiting artists, spacious studios, and an exhibition at the Manetti Shrem Museum.
Epstein also weighed in on the provenance of “Salvator Mundi” in a newly released trove of documents that sheds light on his art world connections.
The once and always profiteer of colonial looting is once again getting flak in the wake of the Louvre heists.
The Brooklyn collective A.I.R. loans out the devices under the tenet that “illness need not be the price of living in community or participating in the arts.”
Workers and union leaders say wages have not kept up with the cost of living, condemning them to “in-work poverty.”
His mysterious narratives, arising out of common human activities, are inventive and uncanny, caused a sense of disquiet.
This fair will showcase a diverse selection of nearly 140 galleries, art spaces, and nonprofit organizations spanning 30 countries and 65 cities.
Uman’s first solo museum exhibition debuts a new body of work, including paintings, works on paper, video, and sculpture.